'Tickets please. One seventy-nine.'

It was the indefatigable conductor, sensible of his duty to the company and resolved that nothing should stand in the way of its performance. Bill gave him five dollars and told him to keep the change. The conductor saw eye to eye with him in this.

'Bill! You gave him--' She gave a little shrug of her shoulders. 'Well, it's lucky you're going to marry a rich girl.'

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A look of the utmost determination overspread Bill's face.

'I don't know what you're talking about. I'm going to marry you. Now that I've got you again I'm not going to let you go. You can use all the arguments you like, but it won't matter. I was a fool ever to listen. If you try the same sort of thing again I'm just going to pick you up and carry you off. I've been thinking it over since I left you. My mind has been working absolutely clearly. I've gone into the whole thing. It's perfect rot to take the attitude you did. We know we love each other, and I'm not going to listen to any talk about time making us doubt it. Time will only make us love each other all the more.'

'Why, Bill, this is eloquence.'

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'I feel eloquent.'

The stout lady ceased to listen. They had lowered their voices and she was hard of hearing. She consoled herself by taking up her copy of Gingery Stories and burying herself in the hectic adventures of a young millionaire and an artist's model.

Elizabeth caught a fleeting glimpse of the cover.

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'I bet there's a story in there of a man named Harold who was too proud to marry a girl, though he loved her, because she was rich and he wasn't. You wouldn't be so silly as that, Bill, would you?'

'It's the other way about with me.'

'No, it's not. Bill, do you know a man named Nichols?'

'J. Nichols. He said he knew you. He said he had told you about Uncle Ira leaving you his money.'